EVARISTO CAMARGO-RODAS - Cultural and Critical journalist of Art - firenzischatzland@yahoo.es
Scenario and witness of events that marked radical overturns in the German, European history and of the world, it is now it, equally, of Fernado Botero with whose work “Horse” it plays a list without paragon neither antecedents.
The Door of Brandenburg is an work of great magnificence. A more worshipped relic-symbol of him (after the Cathedral of Colony) for the Germans that make all the possible one to discharge to the year that leaves and to receive to the new year gathered in cheerful, festival and colorful shows before his with what becomes the point of more human mass in Germany.
It is a beautiful group that gathers in if same the most beautiful architecture, the completed design, the most harmonious balance in their components that inter they act melodically, a perfect combination of you line, of curved, of surfaces, everything it willing with refined aesthetic sense that attracts and it retains the view for rejoicing sensorial.
If the whole monument like such it is a completed piece of perfection it is it even more, their attractiveness increases vastly with the grandiose culmination that they are the 4 captured horses and presented in a moment of its energetic, intense, resolved march, victorious -on all victorious one-; each steed appears as a glorious titán that arrives or he comes from who knows that remote spheres, that distant and unknown worlds and, with his eloquent expression, they announce us, they also speak eloquently to each other, the message of the glory that you/they behave.
Above them, crowning their victory herald a majestic eagle affirms and it proclaims that this it magnifies quadriga they arrive perhaps of worlds earthly supra of the skies... to Contemplate each angle, each corner, each surface, each column, it is to find an and another time gratificantes surprises esthetics. Ahora, in the whole front of that monumental paragon, he rises, he gets up, he settles, it has fixed their paws, their majestic figure an enormous horse, sculpture of Fernando Botero.
And how he is integrated, with which sculptural aesthetic harmonious harmony is integrated, he adapts to the group of the Door of Brandenburg making it even more glorious, impactante, astonishing and fascinante. The monumental group has you crecido. Ha increased the logoses, the concept, the meaning considerably; he has signed their traditional glory and he has opened enormous dimensions for where they reflect starting from now the novel, dynamic, progressive, powerful currents that have always guided Germany before the history.
The Door of Branderburgo with Botero's Horse in its leading on the floor is the new symbol, taken root in glorious tradition, of the Germany that has always known and been able to understand each other and to conquer to the future.
The 4 Horses of the Door of BrandenBurgo come from journeys, of conquests beyond the terraqueous latitudes; Boatman's Horse comes, also, of traveling, of strolling, of fixing his kicks, of exhaling his encouragements for the most glorious spaces that the man has forged on the earth, the Gardens of Montecarlo, the Campos Eliseos, Park Avenue, Florence, Milan, Washington, Venecia.
It was, then, an imperative that those grandiose equine copies are and you reconociesen: La beautiful quadriga, in their energetic one, enjundiosa ballet figure, posed there up in the peak of the monument receives jubilant to the I magnify steed boteriano that, there in the posed floor, he enters with full right to accept the welcome and he is integrated with them as if was always expected. Never to anybody he was happened to think that the quadriga needs or he lacks a “Fifth Element” until it was known that for the world a horse had and he made same feats.
He was the legitimate brother that for their bill other lares. Llegado also conquered the moment the Horse Boterista it conforms in the monument the” Quintet of Brandenburg.”
They are exemplary of different worlds but mated by oneself race of big conquistas. Ones they are vibrant exponents of the chivalry clasic; the Horse of Boatman it embodies the face commandingly, the face of the future Boatman's Horse brings and it presents to his siblings of the Quadriga of Brandenburg before the future!!.
It contributes to the combined explendoroso the overpowering presence of the works of art Boterista: the new harmony created by Boatman and well-known and already registered in the history of the art like Boterismo that it takes to limits inimaginados before him to the volume that makes of the volume a main character of first order that transforms to the volume into an alone devised form for him, for Botero (of there the Boterismo) that manages with sublime artisticidad to the volume integrating it harmoniously to the forms preexistentes (the new mentioned harmony) making in these ways preexistentes (in this case the Horse) other new and original criaturas different to the previous ones that served them as point of partida. Los horses, birds, gatos, man, women, hands... in the brilliant Botero's sculptural art they continue being that but, in turn, they are other, another different, original, only thing, is an art that became..., in tendencia.
Now it is possible to delight contemplating to that superb, prodigious quintet equin. La Door of Brendeburgo he has taken another look, it has assumed another new dimension that confirms him the vision and mission that he always had: to represent and to embody the encounter and the conquest of the vigorous futuro. La as graceful corporal magnitude of the exemplary Boteriano is the most suitable to be able to take to happy term, leading their classic siblings of the cúadriga, the also happy hug with the porvenir. Hasta is possible to imagine them, verlos en its victorious march: the trayec -
cough of great encouragement in the loins and titanic paws of the horse Boterista and when èste accuses it tires the immediate one, I lend, opportune and agile relief for the quadriga slender, lusty cullos necks upright avizoran for the future... and the eagle above surveying the promising horizon and it is it - in fact - so much more more appreciable notable, tanto, if it is contemplated like it deserves to the group of steeds of the Door of Brandenburg with the new horse for Boatman: Posing the attentive look of the 4 équinos up deployed to the horse Boteriano below in the floor, and, vice versa, of below, from Botero's Horse up, until the 4 horses of the peak, it is to drive the understanding, the knowledge, the aesthetic inteleccion for the theoretical routes already signal, of the neoclassicism to the new neoclassicism to the ulterior new neoclassicism until culminating in the Boterismo.
I invite the spectators to delight with this beautiful one and traveled gratificante, visual walk for the horses: up down and of below up.
Make it from the different and multiple angles that the amplisimo space of the monument allows them and regodense with so pleasant contemplación. Son the marvels that alone they are possible thanks to the great other arte. Lo, it is the demás.
es tu BUSCADOR favorito, úsalo aquí